Funk Generations :: A New Age was the initial installment of the Phunk Phenomenon Painting Series in 2004. This mixed media painting is mostly acrylic paint, with the face and hands done in pastels, and highlighted in metallic ink, this beauty shines bright with DNA helix strands weaving the funk of ages. In 2010, Zickafoose teamed with Paula Mandala Caldwell for the Funk Re:Generations Print Series as seen below. Purchase the limited edition, signed and numbered print. Edition of 250.
~ Fire & Ice ~
Image and Poem By Brian C. Zickafoose © 2012
Over a valley of crystal in a distant mystic realm,
Shadows cast long and a day grows late.
A brazen beast props atop a lofty, frosty helm,
To gather his thoughts and ponder his fate.
He broods over truths from ages before,
To journey the path that his passions follow.
Fate’s wind fans embers of memories of yore,
And stirs fiery flora to flicker the hollow.
With a nod of the head, he resolves to take flight,
After a lengthy debate with his restive soul.
He knows in his heart he must fly by night,
If he ever hopes to achieve his goal.
His destiny’s quest is to find mysteries unknown,
In the land of legend his adventures begin.
A day will soon come to rest peaceful at home,
Until it’s time to fly high away again.
DMT :: DIVINE MOMENT OF TRANSFIGURATION
Vector Illustration By :: Brian C. Zickafoose © 2011
A new illustration by artist Brian Zickafoose titled – DMT-Divine Moment of Transfiguration, delves into mysteries concerning supernatural agents, inter-dimensional astronauts and altered perceptions. Zickafoose bounds through the aeons to an era when artist and shaman were one and the same, where the collective conscious and the well-being of the tribe were dependent on the distant etheogenic explorations of the medicine man and where special fruits of the forest were selected for their messianic properties and consumed for the prosper of all, in an effort to understand the paradox of the grand illusion we know as reality.Read more
DMT depicts the artist, Zickafoose, in shamanic garb and telling tales of altered perception to his infant daughter, Xia Yasmine Zickafoose, as she, the light-bearer, holds a candle high, while the artist etches epic figures from visions into the rock for future epochs to behold.
About the Artwork
The studio of Brian Zickafoose has produced a limited edition run of 100 – 13×19 inch giclee prints of DMT-Divine Moment of Transfiguration available for the public to purchase. Both the art prints and greeting card 5 packs with matching envelopes are available NOW at the link below.
The Blue Ridge Blues & BBQ Festival :: Advertising Campaign
Artist: Brian Zickafoose
Client: The Blue Ridge Blues Society
Event Location: Roanoke, Virginia
For ten years, the studio of Brian Zickafoose was a proud sponsor of the Blue Ridge Blues Society’s Blue Ridge Blues & BBQ Festival. Beginning in 2005, Zickafoose chaired the Blues Society’s marketing committee, while heading up the festival’s creative and advertising duties. In 2010, Zickafoose snagged multiple American Ad Federation ADDY’s for his work on the festival art and marketing.
This year’s campaign included various advertising elements for print, online and television:
• Promotional Handbills and Posters
• Web Banners and Print Ads
• Outdoor Billboards and On-Screen Cinema Ads
• Festival Program and Event Signage
• Ticketing and Display Marquees
• Sponsor Kits
For our festival merchandise, we produced a limited runs of individually hand numbered and signed, 6-color silk screen, commemorative art prints. We applied 5 soy-based inks: Black, Metallic Gold, Metallic Silver, Light Blue, Cream on 100 lb. French Paper Hot Fudge Pop-Tone Stock. For the official festival t-shirts, we silk-screened the 5 colors on distressed cream, sand and charcoal tee’s for a rustic, worn look.
For this poster, I teamed up with L.A. based 311 to create and produce a limited edition print run for the band’s Charlottesville Pavilion appearance on 10-24-2010. The graphic was generated from 3 separate pen drafts converted into vector format and laid out in Adobe Illustrator. The project was initially approached to be done as a promotional graphic. Though Adam Raspler, 311’s manager, made the call to produce the prints for retail’s sake. We produced 100 total offset press prints that were sold along with the band’s t-shirts and other merchandise the night of the show at the Charlottesville Pavilion. After the show, Brian posted up at the merch booth and signed prints for fans at the booth. Based on response from the band and their management, look for more 311 graphics from my studio in the near future.
Floydfest is a wonderful festival located 45 minutes from Roanoke, VA. Floydfest earns its namesake from nearby Floyd, a town of 500 people nestled in the Blue Ridge Mountains. Prior to working with Floydfest, I had attended the festival 2 times and had become quite fond of the quaint locale and scenic setting. And well, the music lineup was always killer.
I was offered the opportunity to do the artwork during negotiations for my position as Street Team Manager by the promoter and owner of Across the Way Productions, Kris Hodges. We met briefly over lattes to discuss what he envisioned for the artwork. Working with Kris on a creative level was great because he had a clear vision of what he was looking for in the design which is usually a rarity among clients. Kris wanted a slick, flowy, Euro feel to it, bright colors. He specifically wanted a visually striking flower sprouting out of the music note seed. He also requested that Buck Mountain – an iconic mountain in Floyd, VA – be included and to somehow incorporate the number 9.
I ran with it and turned the final art over two days shy of the deadline. Less than a month later, a winter version of the original art donned 40,000 fliers and hit the street. 250,000 fliers later, Floydfest 9 Breaking Ground sold out. Unbelievable that so many people were exposed to my artwork. It’s like they say, life’s a garden… dig it.
Ana Sia is an electronic music performer from the Bay Area San Francisco, CA. So, when the show was confirmed, Third Eye Presents enlisted me to captivate the audience for her first appearance in Blacksburg, VA at Awful Arthur’s.
I was reminiscing about the poster days of old in San Francisco when the artwork pushed dimensions and tempted the boundaries of the imagination. I created the drafts for this in 3 pieces and pieced it together in Adobe illustrator lickety split. Threw in the color and moved the promo to the streets. My favorite part of the illustration is the white outlined space ships hovering with laser beams in the distant background.
This was the promotional poster I created for the MiMoSa show at Awful Arthur’s in Blacksburg, VA on May 13, 2010. I have always loved various culture’s versions of a dragon. This one is based on the Tibetan style.
I needed a quick dragon fix one night a while back and drafted up a fairly tight dragon that collected dust on the shelf for over year in my studio. When this show was confirmed, Third Eye Presents commissioned me to design the show poster and fliers so in a pinch, I resurrected the old dragon drawing and took it to my vector sanctuary in Adobe Illustrator. There it took on color. I chose red because of it being a fire dragon and drafted separate copy for the background, clouds and fire swirls and laid them out in a matter of a few hours.
The New Mastersounds are one of the most dynamic touring acts in funk music today. Their music calls to mind the bygone era of the late 60’s and 70’s when funk was pure & raw driven emotion. Live or on stage, The New Mastersounds easily captures a time of splendor, when acts like The Meters and James Brown first shook the stage.
When this event was confirmed for Blue 5 Restaurant in Roanoke, VA, I decided to thumb through the stack of old National Geographic magazines I have in my library, seeking vintage inspiration for the promotional poster. The ads from that time period – even those in black and white – were so vibrant and loud with texture and eye candy. I was in heaven.
After drafting some rough sketches, what began to emerge was a kind of Pam Grier, Super Fly, Spy Movie poster vibe, which I relish. Instead of redrafting finals and scanning the hard copies, I created this piece entirely in Adobe Illustrator utilizing my Wacom Bamboo Graphics Pen Tablet. This was my first official venture with the tablet and I was excited to see how the product would ultimately turn out.
The final result hit the mark with the band as well as the fans. The original pressing of the promotional poster billed Salvador Santana as the opening act. However, Santana’s last minute schedule change put up and coming Chicago power funk act Lubriphonic on the bill instead, the result of which left us with an abundance of spoilage from the initial run. So, as an incentive perk to the ticket buyer, we handed out signed copies of the print at the door.
This show poster harkens to the glorious, now legendary time when I was booking live shows in Blacksburg and Roanoke, VA. Ooah of the Glitch Mob was the semester wrap party and I created this poster to commemorate our final show of the semester.
The artwork itself was crafted in essentially three parts. I drafted the foreground in pen and ink and added color via premium Prisma-tone markers. These are amazing markers that allow one to blend various shades to get a smooth color transition. The mushroom huts were inspired by Roger Dean’s album cover work in the early seventies. I grew up staring long hours at his album cover work for the band Yes.
Once I completed the foreground, I found a suitable sky/cloud photo from a stock photo site and tweaked out the colors. I was looking for something dreary with thick stratocumulus cloud cover. I placed the background graphic and then pen tooled the flying, black, gargoyle-looking arial crafts coming through the clouds. The overall feel I was going for was one of impending doom, for the sole purpose that Ooah was our last show and ultimately one of the last ever events at the Lantern before it closed for good.
The show raged epic that night. DJ RahBee and Savoy crushed the opening slots. One for the books. Ooah really enjoyed the artwork and I had him sign several copies for the archive.